Recommended Reading: This essay from The Rumpus on total noise and total silence, touching on everyone from Mikhail Zoshchenko to Don DeLillo.
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.
This week sees the release of Edward St. Aubyn's final "Patrick Melrose novel," At Last. A new, omnibus edition of all the novels in the series is also out. Steve Erickson's new novel These Dreams of You is out, as is The Art of Hearing Heartbeats, a debut effort set in Burma by German novelist Jan-Philipp Sendker. This week also sees the release, on Blu-ray, of the 50th anniversary edition of To Kill a Mockingbird.
“I had seen enough movies to know that when a knife is tossed by the hero to someone in need, it lands exactly where it should. So I picked up the knife, and I centered myself. ‘Be the hero,’ I whispered.” Caroline Paul’s The Gutsy Girl: Escapades for Your Life of Epic Adventure, “part memoir, part manifesto, part aspirational workbook,” encourages everyone to add a little more adventure to their lives. Angela Qian writes about the adventure of learning to read in another language.
The theatrical trailer for the film adaptation of 50 Shades of Grey was released this week. If you’re keeping track, that means we’ve now got a film based on fan fiction written about another film adapted from a schlocky romance novel involving vampires. (Come at me, Twilight fans.)
“Limits stop you from living a life without limits,” writes Augusten Burroughs. “Of course, this is only an illusion. What limits really do is give you an acceptable excuse to avoid doing something.” (He’s talking about life, not Oulipo.) The piece is excerpted from his recent book, This Is How.