Over at the Bennington Review, Michael Dumanis interviews Year in Reading alumna Dorothea Lasky about persona poetry, the first-person “I,” and creativity. Pair with Gila Lyons’s Millions essay on creativity and madness.
Another hip-hip for long-form journalism. George Packer's piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things -- complicated geopolitical matters, for example -- must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer's assessment of the McChrystal Report on his blog.
"Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people. Write for other people, but don’t listen to them too much." Being a writer is really hard. Fortunately, Very Good Writer Rebecca Solnit is here with ten tips on how to be a better one.
In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.