Then Come Back: The Lost Neruda will compile never-before-seen poems from Pablo Neruda’s archives. “Forrest Gander, the Brown University professor who translated the poems into English, likens the discovery to finding a trove of new sketches by Michelangelo.” Visit Neruda’s home with Luke Epplin.
Not sure why Harry Potter shares the fruits of his heroism? Upset that Hermione doesn’t end up with tons of cash? Well, then you should sit down with Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published at The Toast by Mallory Ortberg.
“To get me through a 550-page collection, the stories must be very good indeed. These are.” When Lionel Shriver participated in our Year in Reading ritual several years back, she dedicated her reading diary to William Trevor, who just passed away. “Trevor’s writing is so perfect that you don’t even notice it’s perfect,” she wrote. “He mainlines pure narrative directly into your veins. The words never get in the way; the words, like their author, disappear.”
Half-meme, half-myth, ‘Slender Man’ came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet ‘evidence’. As one Something Awful blogger put it, “Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?” Very meta–and very scary, all over again.
None other than Randy Cohen, “The Ethicist” of the New York Times, has decided that illegally downloading an e-book version of a book for which you’ve already paid full price in hardcover is “not unethical… subsequent downloading is akin to buying a CD, then copying it to your iPod.” He adds, “Sadly, the anachronistic conventions of bookselling and copyright law lag the technology.”
“I fought the urge to throw up in my hands as I asked myself, ‘How the fuck did I get here?’” When you’re a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel‘s review of Making Monte Carlo: A History of Speculation and Spectacle.
There’s been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books. She then explores the work she’s doing to improve the situation by publishing women writers and artists in works like the Ladies’ Night Anthology. As she says, “I’m motivated in no small part by being able to say to those ‘make your own’ strawmen, ‘I do. I’m an editor contributing to published comic books. Are you?'”