“Language is more direct, open, unself-conscious, precise, and human. It doesn’t belong to me anymore but to the atmosphere, and this makes me happy.” Henri Cole on having his poetry projected onto buildings by Jenny Holzer.
“All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself.” Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.
Going to SXSW this year? Be sure to check out the “Too Long, Didn’t Read” panel our own C. Max Magee is sharing with Bygone Bureau editor Kevin Nguyen and The Morning News co-founder Andrew Womack. The Saturday panel will focus on the “renaissance of long-form writing,” and location details can be found here.
“We all use a ‘persona’ or mask, to some degree, all the time,” writes poet Robert Pinsky as he challenges the notion—widely held in English classes throughout the world—that a poem’s “speaker” is necessarily separate from a poem’s author. The latest release from Pinsky, the former Poet Laureate of the United States, is Selected Poems, and you can hear him read some excerpts in this video.
Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Beyoncé’s visual album/phenomenon Lemonade has only been out for a few days and already it has spawned countless thinkpieces. One of the best and most inspiring things to come out of it has been the #LemonadeSyllabus hashtag, popularized by Rutgers University educator Candace Benbow. The series “encourages Black women to share curated reading lists of books, poems and other inspirational literature penned by Black female authors that celebrate every aspect of what it means to be a Black woman.”
In addition to the Jewish refugees who emigrated to North America in the years leading up to World War II, there was also a sizable contingent who fled East. In particular, an estimated 30,000 refugees journeyed to Shanghai between the years of 1933 to 1941. With them, the refugees brought all sorts of valuables, heirlooms, and artifacts. One family brought over 2,000 books. Now, over 70 years later, one Shanghai family is asking for help locating the owner of that library. Part One; Part Two. (h/t Bint Battuta)