“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
Loss in the Time of War
Come Out and Party with The Rumpus
New Yorkers: tonight you can party with the likes of Sam Lipsyte, Colson Whitehead, Amber Tamblyn, Andrew McCarthy, Nato Green, Nick Flynn, Janine Brito, K. Flay and a whole bunch of the writers for The Rumpus. All it takes is $10 at the door. Festivities begin at Brooklyn’s Public Assembly at 7pm. Details can be found here.
●
●
The Future by Philip K. Dick
“Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.” An essay in the Boston Review argues the importance of Philip K. Dick‘s literature— where the real and fake intersect and collide — and the world we live in today. From our archive: on the pleasures of Dick’s sometimes awful prose.
Guilty As Charged
“Why do readers, those who are bereaved and those with happy families alike, love orphans?”
The Last Reading
●
●
Fish Cop
Nobody likes to be critiqued. Lucas Gardener at The New Yorker would really like to assure all of his concerned Creative Writing workshop classmates that his most recent submission, “Creative Writing Beatdown,” is entirely fictional and has no basis in reality. Really.
●
●
Nicole Dennis-Benn Moves Forward
Nicole Dennis-Benn discusses her latest book, Patsy, a novel that explores issues of motherhood, the working class, sexual identity, and immigration.
●
●
●
Drink It Up
Depending on your persuasion, this blog post listing six songs about whiskey is either a funny article or a kind of public service.
●
●