“War happens when words no longer work. Yet war is declared at the very point when words are at their most powerful. It’s an odd kind of paradox. In a time of war, the familiar words of your own language can become even more significant, as language is linked to the idea of home.” At JSTOR Daily, linguist Chi Luu looks at trauma and language loss.
TriQuarterly, the long-running trail-blazing literary journal more or less dreamed into existence by the late Charles Newman, is apparently no more, due to budget cuts at Northwestern University. Newman's foreword to his first issue as editor, reprinted at A Public Space, should be required reading for anyone thinking about the purpose and future of the little magazine and its role in the artistic ecology.
“Our great poet forever has one foot on Mount Parnassus and the other in the rue Quincampoix,” the Wall Street of eighteenth-century Paris. On how Voltaire outsmarted one of the earliest lotteries and made a fortune. Also check out how Goethe became an amateur auction theorist.
What's the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you've read Gone Girl. She discussed how to write a good thriller, why she doesn't believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times "By the Book" interview. Pair with: Our conversation about Gone Girl.
Chances are you've bragged about the size of your library. The number of books you own is a point of pride for many readers. But at what point does collecting books -- which few people would say is a bad thing-- turn into a problem? At what point, in other words, does it become hoarding? Pair with: Rebecca Rego-Barry on hunting for rare books at college library book sales.
None other than Randy Cohen, "The Ethicist" of the New York Times, has decided that illegally downloading an e-book version of a book for which you've already paid full price in hardcover is "not unethical... subsequent downloading is akin to buying a CD, then copying it to your iPod." He adds, "Sadly, the anachronistic conventions of bookselling and copyright law lag the technology."