“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.
The book I co-edited, The Late American Novel: Writers on the Future of Books, got its Publishers Weekly review this week – a very nice writeup. Also spotted this week, a longer consideration of the book at tumblr Feriatus.
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
“Anyway, once his last season was over and NBA hadn’t called, Buck set his sights on coaching. Teaching was the best venue to get there. His wife, a pretty round faced blonde this time, was also a teacher; she taught fourth grade with my wife, Sherri. Working together had formed a friendship and it was this friendship that brought me — a manager at the Kraft Cheese plant — into this conversation with three public school teachers.” What we talk about when we talk about the Common Core.
Two weeks ago, Tod Goldberg came out with a new novel, Gangsterland, that centers on a hit man in the Chicago Mafia. At The Nervous Breakdown, you can read an excerpt of the novel, as well as one of their trademark self-interviews, in which Goldberg explains that for the past three years, he’s been “writing and writing and writing. But sometimes, that just means I’m not writing at all.” You could also read the author’s dispatch from AWP.