“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.
Literary Tastemaker Extraordinare
FictionDaily
FictionDaily tales a page from Arts and Letters Daily and posts links to pieces of fiction found online in three different categories (long, short, and genre) every day.
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He Just Keeps Going and Going and Going
As the publication date nears for Robert Caro’s latest Lyndon Johnson installment, The Passage of Power, it’s a good idea to brush up on your history of Caro’s career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.
Convincing Reconstructions
“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.
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“And I know my rights so you gon’ need a warrant for that”
Just what you’ve always wanted: a “line-by-line analysis of the second verse of ’99 Problems’ by Jay-Z, from the perspective of a criminal procedure professor!” (PDF)
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Reading Lolita at Twelve
At the Paris Review Daily, Nick Antosca reminisces on reading Lolita at 12: “Who among my seventh-grade classmates, I wondered with a frisson, was such a creature? What girl had that ‘soul-shattering, insidious charm’ that, while invisible to me, made the antennae of certain adult males tremble?”
The Rude Writer
In the September issue of Elle, Lorrie Moore talks about why being a writer means being creepily detached and rude. Redux here at Jezebel.
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