Recommended Reading: Robert Macfarlane at The Guardian on what it means to be living in the Anthropocene age–in which human influence on the planet is permanent and profound–and how our writers and artists are responding to the crisis.
“Sitting down to read The Actress, Amy Sohn’s newest novel, is even better than standing in line at the grocery store while the person in front of you disputes the price of a carton of orange juice, giving you extra time to read the tabloids. The Actress might be as licentious as a tabloid, but it is far more intelligently written. And, you probably won’t be reading it while standing in line inside a grocery store.”
Trader Joe’s, circa 1877: “It’s always the same complaint: ‘Joe, you don’t have any of the essential items that every other trading post has. Why don’t you have saddles? Or gunpowder? Or basic tools?’ Because I have soy chorizo, that’s why! Because I have chocolate-covered peanut-butter-filled pretzels!”
“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
“Barbarian Days by William Finnegan. Made me realize my whole life has been pretty much a waste. I suspected this anyway; he explained why: because I’d not surfed.” Geoff Dyer over at the New York Times on the best book he’s read recently. Our own Janet Potter interviewed Dyer on the release of his most recent book, White Sands.