Recommended Reading: Robert Macfarlane at The Guardian on what it means to be living in the Anthropocene age–in which human influence on the planet is permanent and profound–and how our writers and artists are responding to the crisis.
Máirtín Ó Cadhain is probably the most famous Irish writer you haven’t heard of, if only because he wrote all his masterworks in Irish rather than English. His best novel, Cre na Cille, has a simple and arresting premise: a town in Connemara has a graveyard in which the dead can speak. In The Guardian, Kevin Barry (who we interviewed) reads the novel for the first time.
If you’re going to accidentally leave almost two dozen unprocessed photo negatives out for 100 years, there’s no better place to store them than a block of ice in Antarctica. Conservationists restoring an Antarctic exploration hut found the negatives left from Robert Falcon Scott’s fatal 1910-13 Terre Nova Expedition to the South Pole. For a less harrowing tale of Arctic exploration, check out our review of Maria Semple’s Where’d You Go, Bernadette?
“That no-way-out is really the difference between boys and girls in working-class culture, because a working-class boy could run, or could when I was growing up.” Guernica interviews Dorothy Allison about literature as glory; survival, opportunity, and gender; and working-class heroes vs. heroines. For your reading consideration: Bill Morris‘s essay on the riches of “white trash” literature.
“You’re following some cute glyph about smoking, then one about stationary, then dirty dishes and some mischievous cat—then it’s suddenly ‘Not your father’s safari jacket’ followed by pearl puddles, LIBERATOR dildos, Quaker teens, rehab, troubled teens, and more jackets. It’s like a mini-Buñuel movie! And they expect you to keep following along with Malcolm Gladwell, or whoever it is, over there to the left? Why would you? You want to shout, Hey Malcolm, can you shut up about Twitter and explain the neo-surrealist montage unfolding perversely in the margins?” The strange amalgamation that is the magazine ad column.
What happens when two magazine writers publish stories on the same topic within a month of each other? We get to read some of the best long-form journalism of the year. Both Esquire’s Chris Jones and The Washingtonian’s Garrett M. Graff wrote about what it was like to be on Air Force One after the Kennedy assassination. Jones’ “The Flight From Dallas” hits 7,600 words, but Graff’s “Angel is Airborne” totals 18,000. Save some time to read both because they’re equally gripping and uniquely told narratives.