Recommended Reading: Robert Macfarlane at The Guardian on what it means to be living in the Anthropocene age–in which human influence on the planet is permanent and profound–and how our writers and artists are responding to the crisis.
Last month, Austin Bunn published The Brink, his debut collection of short stories. The stories, as Ryan Krull describes them in The Rumpus, hinge on pushing characters to some personal limit of behavior. In an interview, Bunn talks about why that is, as well as his new short film, In the Hollow.
Students at Brooklyn’s International High School come from more than forty-five countries and speak more than twenty-eight languages. Their stories are now recorded in Brooke Hauser’s new book, The New Kids: Big Dreams and Brave Journeys at a High School for Immigrant Teens.
“People used to wish that life could be as it is in books—that it could have the beauty, drama, and shapeliness that writers gave it. Today, by contrast, we hope desperately that life is not really like our writers portray it; in other words, we hope that writers are not representative men and women, but unfit beings whose perceptions are filtered through their unhealth. It is necessary to hope this, because if life were as it appears in our literature it would be unlivable.” Adam Kirsch explores the downside of literary nostalgia.