“All of your life, you think of that one fluid motion of power, terrorized by the fact we are capable of such collisions, such harm, such leveling of each other to flattened mountains, left to tunnel into ourselves, such wretched unhappiness, such unfathomable cruelty unless resurrected by the tenderness and affection of a lover, by kisses that leave us enthroned.” Major Jackson is next up in the Kiss series from Guernica Magazine — a weekly column which investigates that most intimate of human interactions, the kiss, in all its many manifestations.
“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.
File under events you won’t want to miss: Kate Zambreno hosts her second Belladonna* Prose Event this Tuesday in New York, featuring three leading ladies of innovative lit. Renee Gladman, Danielle Dutton, and Amina Cain will discuss the walker as essayist, flaneuring through urban space, and skirting the margins of genre. 7:30pm, at Dixon Place.
Out this week: Lost for Words by Edward St. Aubyn; Another Great Day at Sea by Year in Reading alum Geoff Dyer; Funny Once by Antonya Nelson; Black Lake by Johanna Lane; Closed Doors by Lisa O’Donnell; Decompression by the German writer Juli Zeh; and J.R.R. Tolkien’s translation of Beowulf, published now for the first time. For more on these and other new titles, check out our Great 2014 Book Preview.
“I gave up on making a happy ending in the true sense a long time ago.” Japanese animator and film director Hayao Miyazaki is something of a legend. Over at The Literary Hub, Gabrielle Bellot takes a look at the expansive literary history of Miyazaki’s Studio Ghibli.