“It makes you think you are just about to write, for once, something brilliant.” Everyone knows that Moleskines don’t really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
Some of the most revered literary novels that have appeared in recent years will be adapted for television. Jonathon Sturgeon writes for Flavorwire, “What do we call this new relationship between prestige and streaming TV and the literary novel? The two now shape each other in peculiar, formal ways—like lovers who share an apartment, they’ve started speaking and looking alike.” Pair with this Millions piece on literary magazines in film and TV.
In celebration of Jewish Book Month, Ruchama King Feuerman—featured at Bloom in January—will go on tour to read & discuss her novel In the Courtyard of the Kabbalist. The tour kicks off today at the Evelyn Rubenstein Jewish Book & Arts Fair in Houston; check NYRB’s event page for more upcoming appearances.
Have you visited the legendary Shakespeare and Company bookstore in Paris? Were you aware that bookstore you visited is not actually that same legendary Shakespeare and Company? Erin Zaleski at The Daily Beast takes a look at the history of this literary institution of the Lost Generation.
“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.
Recommended reading: a new, previously undiscovered story and accompanying poem by Charlotte Brontë. The story is rife with flogging and embezzlement–all the good stuff! Here’s a bonus piece on how Charlotte is at least partly responsible for the success of the Bronte sisters as a whole.