“It makes you think you are just about to write, for once, something brilliant.” Everyone knows that Moleskines don’t really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
I Buy, Therefore I Write
What’s In the Trunk?
Recommended Viewing: Alejandro Cartagena’s photo series, “The Car Poolers.”
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The Paris Review and McSweeney’s Collaborate on a Dual Deal
All month long, The Paris Review and McSweeney's are offering a special dual deal in which you can order year-long subscriptions to both magazines for 20% off of their individual rates.
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The Franzen Printing Error
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The 2015 IMPAC Dublin Longlist
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie's Americanah is on there, as is Neil Gaiman's The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt's The Goldfinch (which won this year's Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).
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Barrelhouse to Start Paying
Beginning with issue 12, Barrelhouse will start paying contributors. Prepare your submissions, everybody.
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With Very Small Font, Of Course
Ireland debuted a new stamp featuring a 224-word short story written by Dublin teenager Eoin Moore.
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Tuesday New Release Day: Feldman; Thornton; Akhtiorskaya; La Seur; Bloom; Harkaway
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
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