“It makes you think you are just about to write, for once, something brilliant.” Everyone knows that Moleskines don’t really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
Following last week’s Sotheby’s auction, the archives of Soviet filmmaker Andrei Tarkovsky will soon be headed back to Russia. The collection amounts to “several thousand working manuscripts, personal photographs, recordings and private documents” and it sold for a whopping £1.5 million.
In the LARB, Hannah Tennant-Moore offers up a counterpoint (which our own Emily M. Keeler wrote about on Tumblr) to the raves that greeted How Should A Person Be? when the book came out this year. To hear what the author, Sheila Heti, had to say about the novel, check out our interview from June.
Parul Sehgal, nonfiction editor at Publisher’s Weekly (and sister of The Millions intern Ujala Sehgal), has been awarded the National Books Critics Circle “Nona Balakian Citation for Excellence in Reviewing.” Previous winners include Joan Acocella, Ron Charles, and Sam Anderson. The award was based on her diverse portfolio of work as a reviewer, including a review of Susie Linfield’s The Cruel Radiance, a review of Stacy Schiff’s Cleopatra: A Life, and her piece on David Abram’s Becoming Animal. Congratulations!
Hack author Dmitry Samarov is this week’s guest blogger at Writers No One Reads (which we’ve mentioned before). In his first post, Samarov takes a look at the work of Willard Motley, who grew up in Chicago’s Englewood neighborhood in the early 1900s, and is most well-known for his 1947 bestseller, Knock On Any Door.