“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.
I Am Not a Writer
The Center of Things
“I never thought of myself as an outsider. Because outside of what? You would have to give advantage to this space where you’re not, to think of it as sovereign because you’re not there. I was always in the center of where I needed to be.” Aleksander Hemon on writing his new book.
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Betting Big
The Wall Street Journal explores the phenomenon of the million-dollar literary debut. Pair with Edan Lepucki’s Millions interview with her agent about publishing a first book.
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Renée Watson’s Pillars of Poetry
Renée Watson on the four black poets that she turns to for strength and inspiration: Maya Angelou, Gwendolyn Brooks, Lucille Clifton, and Margaret Walker.
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What’s Wrong with a Readable Book?
There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being “readable” is no longer a compliment.
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The Not-So-Invisible Man
“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.
The Hype Cycle
Elif Batuman entertainingly muses on “hype” and resolves to “write five 5-star Amazon reviews this month of books I love by living authors.”