Nick Offerman is a jack of all trades—since leaving Parks and Recreation, he has performed in a stage production of A Confederacy of Dunces, and now he’s about to publish his third book, Good Clean Fun: Misadventures in Sawdust at Offerman Workshop. He sat down for an interview with Etsy this week.
I’ve written before about Haruki Murakami‘s advice column, but at that point it was still a work-in-progress with few details or samples available. A month later, the submission period for questions is over and Murakami’s responses are being published. The Washington Post calls the column “surrealist and sweet,” and NPR has reported on the ongoing Mr.Murakami’s Place project as well, with an emphasis on semi-magical stories involving cats.
This week, the upstanding men and women of Football Book Club are reading Louisa Hall’s novel Speak — and posting about (a) having their minds blown by Maggie Nelson’s The Argonauts and (b) having their metaphoric hearts metaphorically stomped on by the NFL.
Another hip-hip for long-form journalism. George Packer‘s piece in the New Yorker on Richard Holbrooke and the Af-Pak War reminds one that some things — complicated geopolitical matters, for example — must be explored at length. Subscribers can read the full article in the digital edition here. Short of that, read Packer’s assessment of the McChrystal Report on his blog.
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.