Nick Offerman is a jack of all trades—since leaving Parks and Recreation, he has performed in a stage production of A Confederacy of Dunces, and now he’s about to publish his third book, Good Clean Fun: Misadventures in Sawdust at Offerman Workshop. He sat down for an interview with Etsy this week.
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
"Even though journalism is a good profession, for me it was very constraining. It focuses on the surface, banalities, events, and I wanted to spend a longer time talking to people in depth, and to ask them about truly important things, like love, death, and war." This interview with Svetlana Alexievich at The Nation is fantastic. Check out our own profile/interview with Alexievich from earlier this summer.
Out this week: The Magician's Land by Lev Grossman; The Kills by Richard House; When the World Was Young by Elizabeth Gaffney; Secrets of the Lighthouse by Santa Montefiore; The Scatter Here is Too Great by Bilal Tanweer; Ride Around Shining by Chris Leslie-Hynan; Painted Horses by Malcolm Brooks; The Liar’s Wife by Mary Gordon; The Dog by Jack Livings; Bluff City Pawn by Stephen Schottenfeld; Beneath the Neon Egg by Thomas E. Kennedy; 2 A.M. at The Cat’s Pajamas by Marie-Helene Bertino; and Bad Feminist by Year in Reading alum Roxane Gay, who also came out with a novel a few months ago.
Leading Beatles historian Mark Lewisohn has been working on a three-volume biography of the Liverpool band for almost a decade. Tentatively titled The Beatles: The Complete Story, the first installment was due for a publication date this year. Unfortunately, Volume One, which tracks the group from the beginning through December 1962, has hit yet another delay, and fans likely won’t see it until 2013. As Lewisohn says, the accuracy takes time, and “the whole ethos of the project is ‘do the job properly’.” Lewisohn’s last work was the 2006 Complete Beatles Recording Sessions.