Recommended Reading: How to write teen girl characters.
In 1932, several black Americans – including Langston Hughes – traveled to the Soviet Union to shoot a propaganda film about the “evils of racism in the United States.” One of those travelers, Lloyd Patterson, would never return. Instead, Patterson married an Ukrainian woman, and the pair had two children. The firstborn, Jim Patterson, was at one time the most famous black resident of the USSR – and his appearance in The Circus even drew the admiration of Joseph Stalin. After World War II, Patterson served as a Soviet naval officer aboard a submarine in the Black Sea. From there he went on to the Soviet Writers Union in 1967. If you think this sounds far-fetched, I encourage you to read more here.
By now the overlap between writers and drug addicts is pretty well-known, but it wasn’t so well-known back when Thomas De Quincey wrote Confessions of an English Opium Eater. In the essay, De Quincey admitted that not only was he addicted to opium, he suspected he’d ingested more of the substance than any other man save Coleridge. (Incidentally, we reviewed a novel by Year in Reading alumnus Jeet Thayil that largely took place in an opium den.)
More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.
Henry Holt & Company stopped printing and selling Charles Pellegrino's The Last Train From Hiroshima last week, following allegations of fraudulent sources and fabrication in the work. The New York Times examines the debacle: “If book publishers are supposed to be the gatekeepers,” novelist and Studio 360 host Kurt Anderson asks, “tell me exactly what they’re closing the gate to.”