“JUST STRAIGHT UP STANDING ON THE EDGE OF A CLIFF YELLING AT THE NIGHT,” and other portraits of the inimitable Greek poet Sappho, ranked in order of how bummed out she looks.
Gay Goth Look
Why Book Critics Matter
Let us now praise professional book reviewers, like them or not. And speaking of reviews, Niall Ferguson threatens the L.R.B. with legal action over a negative review of his new book, Civilization (via).
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Slow Down
“And journalists, the ones who do it for a living, will continue to have their faith in the profession shaken, as they panic and let their own standards slip in order not to be embarrassed by Reddit at 2:43 in the morning. But unlike high-frequency traders, Internet entrepreneurs, and online vigilantes, journalists have a stake in those standards, which are the only reason for having professionals do the job.” Fast news, Twitter, and journalism in the digital age.
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Art, Lit, and Finnegans Wake
“I’m a writer through and through, but the art world—to a large extent—provides the arena in which literature can be vigorously addressed, transformed, and expanded.” Frederic Tuten interviews Tom McCarthy about the overlap between the visual arts and literature, the importance of reading, and living, voraciously, and the power of Finnegans Wake for BOMB Magazine. Pair with our own Nick Ripatrazone‘s review of BOMB: The Author Interviews.
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The Great Tranquility
“Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor ‘useful.’ He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive.” Every time James Wood publishes a big profile in The New Yorker, it’s worth a read; this week’s essay on the “secular psalmist” and poet Yehuda Amichai is no different.
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“Good evening.”
While you wait around for Hitchcock to hit theaters, you’ve got plenty of time to check out this online record of thirteen storyboards from the English director’s classic films.
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