“JUST STRAIGHT UP STANDING ON THE EDGE OF A CLIFF YELLING AT THE NIGHT,” and other portraits of the inimitable Greek poet Sappho, ranked in order of how bummed out she looks.
Gay Goth Look
Remembering Marinetti
The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
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Introducing/A New Feature
Good news, Twitter poets! The Goddess of 140 Characters decided to let us tweet line breaks. (h/t Slate)
Travelogue as Memoir
“We are not buried in history, but surrounded by it. You can’t avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.” The Rumpus interviews Russell Banks about his new book Voyager: Travel Writings.
Even If You Lose, You Win
The deadline for BOMB‘s poetry contest — judged by Leaving the Atocha Station author Ben Lerner! — is April 16th. The $20 submission fee should be pretty palatable to everyone because it comes with a subscription to the magazine.
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Pork Problem
“First, catch your pig.” This is the beginning of Harper Lee’s recipe for cornbread, but it’s not the first time pork has preoccupied her writing. At The Paris Review, Sadie Stein examines the use of ham in Lee’s fiction.