From the Beat poet to the particularly heroic couplet, here’s a handy illustration of poetic justice from Grant Snider over at The New York Times.
Free That Verse
Catching the Muse, So to Speak
From Easel Orgy to Orgy in Oils, Giovanni Garcia-Fenech has rounded up dozens of sleazy paperback covers depicting artists intimately engaged in their work. (Side Note: it seems like the couple in Bride’s Dilemma is a tad overdressed.)
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Kazuo Ishiguro on the Joys of Repetition
Kazuo Ishiguro discusses his newest book, Klara and the Sun, and how it echoes themes he has often explored in his previous work.
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National Literary Ambassadors in the New York Times
The New York Times interviews Jacqueline Woodson, National Ambassador for Young People’s Literature and Tracy K. Smith, poet laureate of the United States for National Poetry Month. They discuss black history, bringing poetry to the central and rural parts of the country and to those who are incarcerated and why poetry isn’t as popular among adults. “Listening to music and lyrics and watching movies, I think, uses a lot of the same muscles we use in reading and experiencing poetry — and yet we somehow forget that we have those when it comes to sitting down with a book of poems.” It’s a delight, happy Saturday!
A Bimbo, A Gold Digger, and a Fat Pig Walk Into a Bar
“The faceoff with the Tomato would be mental, not physical. He’d accuse her of being on the rag, a bimbo, a gold digger, a fat pig.” A Trump-inspired short story by Year in Reading alumna Darcey Steinke.
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Can We Keep “Making It New”?
Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound‘s “Make it New” for The New York Times Books Bookends.
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