“Morality… is a slippery slope and nowhere more, perhaps, than in regard to art, to literature, which begins as the expression of a single heart, a single mind. That it becomes more than that — connective, the fiber of a conversation between writer and reader, and between both of them and the world — is not just the point but the miracle… To frame this miracle in moral terms is to misread what art extends to us: a way of joining, for a moment only, across the void.” In an article for the LA Times, David L. Ulin considers the implications of the George V. Hunt, SJ Prize for Excellence in Journalism, Arts and Letters, which will award $25,000 to a writer “of sound moral character and reputation [who] must not have published works that are manifestly atheistically or morally offensive.”
Recommended Listening: Ursula K. Le Guin talks with host David Naimon about her classic book Steering the Craft and argues that issues of class, race, gender, and morality cannot be separate from grammar. Pair with Paul Morton’s Millions interview with the author.
“Fifty Shades of Grey follows this long history of class ascendancy via feminine wiles, but does so cleverly disguised as an edgy modern bodice-ripper,” writes Heather Havrilesky in the latest issue of The Baffler. Throughout the piece, Havrilesky explores the way luxury brand fetishism and conspicuous consumption fueled E.L. James’s “female-friendly” pornography phenomenon