“To use the lingo of their era, these novels are square. The protagonists have names like Jane and Barbara; they are not the misfits of which much teen literature is made but instead fundamentally good girls who long to fit in, and usually do … Viewed through the lens of contemporary culture, and especially contemporary teen lit, these girls should be boring and shallow. But Beverly Cleary’s supposedly ordinary girls are complex: resentful of their mothers one moment and sympathetic toward them the next, willing to do anything for one special boy but indignant when they’re taken for granted.” On the unexpectedly complex nature of Beverly Cleary’s boring protagonists with Ruth Graham at Slate.
“It just goes to show you: it’s not just luck you need to have a successful literary career. It’s luck, piled on luck, piled on luck again, and around the corner, you need another sprinkling of it” says Michelle Dean, after investigating Stephen King’s rise in response partly to Dwight Allen’s “Snob Notes” on the author. Colin Dickey and Sarah Langan have both previously weighed on on Allen’s essay and King’s particular strengths.
“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
Out this week: Ninety-Nine Stories of God by Joy Williams; Sarong Party Girls by Cheryl Lu-Lien Tan; Pond by Claire Louise-Bennett; Break in Case of Emergency by Jessica Winter; The Heavenly Table by Donald Ray Pollock; Miss Jane by Brad Watson; The Trouble with Goats and Sheep by Joanna Cannon; and The Invoice by Jonas Karlsson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.