“As I got older, the Nigerian scam artist turned into a meme. The ‘Nigerian prince’ became a joke tossed around by white people with the same ease that ‘Italian mobster’ jokes were likely tossed around in the ‘70s—but aided now by the internet. Whenever I came across casual references to my people as scam artists, I’d wince. There was more to us than the scam. Hell—there was even more to the scam.” On how novelist Teju Cole helped Ijeoma Oluo make peace with the Nigerian scam artist.
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Cal Massey Shows
Legendary jazz musician and composer Cal Massey receded from active performance in the 1950s in order to concentrate on composition. His works went on to be recorded by John Coltrane, Lee Morgan, Freddie Hubbard and many other greats. To honor his indelible mark on jazz music and African-American culture, Fred Ho and Ben Barson will present a series of concerts in Harlem’s Red Rooster restaurant. Barson also wrote a lengthy introduction to Massey’s life and legacy.
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Don’t Read This When Hungry
Recommended Reading: Kevin Brockmeier’s essay “Dead Last Is a Kind of Second Place” at The Georgia Review. “Someone at school has been stealing people’s lunches from their lockers—including, for the fifth time now, his. He needs a new plan, since obviously the potato chips didn’t work.” For more Brockmeier, check out our review of his novel The Illumination.
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Britain’s Illuminated Manuscripts
Illuminated manuscripts such as bestiaries and bibles, prayer books and propaganda, histories and stories, each owned and annotated by kings and queens, go on display at the British Library in London. (“The Genius of Illumination”, November 11-March 13)
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“We are pouring a lot of money down the drain”
A lucid piece in The Boston Globe explains how “academic publishing is not a free market.”
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Stars and Bodies
Recommended listening: David Naimon interviews Sarah Gerard, author of Binary Star, about “anorexia and astronomy, stars and bodies.” Pair with Alex Norcia‘s Millions review of Gerard’s novel here.
Free That Verse
From the Beat poet to the particularly heroic couplet, here’s a handy illustration of poetic justice from Grant Snider over at The New York Times.
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