In honor of National Poetry Month, revisit a McSweeney’s article on whether a YouTube commenter or e. e. cummings wrote this line of poetry. Our piece on author parochialism pairs nicely.
e. e. cummings or YouTuber?
The Dead and the Pre-Dead
“For obit writers, the whole world is necessarily divided into the dead and the pre-dead. That’s all there is.” The Paris Review interviews Margalit Fox, a senior writer for The New York Times, on the complicated art of obituaries.
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Abundance and Awe
Recommended reading: Year in Reading alum Leslie Jamison writes about the pleasures and “democratic awe” of Whitman‘s Specimen Days. Pair with our own Michael Bourne‘s “Embracing the Other I Am: or, How Walt Whitman Saved My Life.”
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Approaching Parity
“If we are looking for a single category to explain why women are better represented among best-selling authors today, the Literary/None category is our best candidate. Most best-selling books fall into this category, and its change over time closely matches the overall gender ratio, shifting from extreme bias in the 1980s to close to parity in the 2000s.” Rosie Cima has put together a beautifully thorough and thoughtful analysis of gender, best-seller lists, and publishing for The Pudding. For a more exegetical analysis, consider our own Sonya Chung‘s exploration of writing across gender lines.
Broadcasting the Atocha Station
An A+ radio interview with Leaving the Atocha Station author Ben Lerner, you say? Why, yes, I think that’s right up my alley.
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Tuesday New Release Day: Vollmann; Stradal; Pietra; McLaughlin & Kraus; Evans; Urquhart
New this week: The Dying Grass by William T. Vollmann; Kitchens of the Great Midwest by J. Ryan Stradal; Gonzo Girl by Cheryl Della Pietra; How to Be a Grown-Up by Emma McLaughlin and Nicola Kraus; Crooked Heart by Lissa Evans; and The Night Stages by Jane Urquhart. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
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