Over at Electric Literature, Megha Majumdar writes about the changing architecture in Kolkata, the quest for authenticity, and nostalgia. Pair with Olena Jennings’s Millions essay on nostalgia for a life never lived.
Dispatch from Kolkata
Contemporary Arabic Novels
Claudia Roth Pierpont writes about the contemporary Arabic novel in this week’s New Yorker, highlighting Iraqi, Palestinian, and Egyptian examples.
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40 Towns, An Experiment in Literary Journalism
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.
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How to Win
“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
Electric Literature’s Latest Project
Electric Literature just launched a new experiment with Israeli writer Alex Epstein. Epstein published his latest collection of “micro-fiction” for free on Facebook, and he wrote about the experiment on the Electric Literature blog. For the next week, Electric Literature will be publishing a sample of translations from his collection on their Facebook page.
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Where Is My Mind?
Do our brains determine how we write? Joyce Dyer explores the possibility that genre is influenced by how our brains are wired but wonders if that limits us. “The page may be forcing compromises that the brain, in such close relationship with the mind, must rightly refuse,” she writes.
A Unified Theory of Doughnuts
For LitHub, Elizabeth McCracken proposes, at last, a unified theory of doughnuts: “Perhaps I cling to doughnuts because doughnuts still exist in the world, though Woolworth’s and Howard Johnson’ses don’t.”
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“Irish writers tell stories differently”
St. Patrick’s Day is over but there’s always cause to celebrate Irish storytellers. (Plus March is Irish-American History Month!) In this video from Open Road Media, you can listen to Edna O’Brien, Joseph Caldwell, Ken Bruen and T.J. English discuss the components of Irish storytelling that make for such good craic. Also you can check out the Poetry Foundation’s collection of St. Patrick’s Day poems for additional (belated) Irish writing.
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