“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
Paris Review editor Lorin Stein recommends a couple of self-help books to one reader in this week’s mail blog. “Let your self-help freak flag fly!” he writes. Such might put you in esteemed company. As Maria Bustillos pointed out in her poignant investigation for The Awl, David Foster Wallace treasured many self help books.
Our own founding editor C. Max Magee is teaming up with our friends at The Bygone Bureau and The Morning News to give a panel discussion at SXSW Interactive 2013 on the future of independent longform writing on the web. If you wanna see the panel make it to Austin, head over the SXSW site to give us your vote. You can register to vote here.