Check out new fiction from You Too Can Have a Body Like Mine author Alexandra Kleeman.
Choking Hazard
Lights of Lit
Infographic of the Week: Check out these memorable lights in literature from Solar Centre to brighten your day.
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Paris, I love you
There’s an excerpt of Rosecrans Baldwin’s new memoir in GQ. Paris, I Love You but You’re Bringing Me Down comes out next week!
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Grant Snider’s muse-inspiring cartoons
The work of literary cartoonist Grant Snider has been featured in such places as the New York Times and Electric Literature (part 2, part 3). We also love this comic on poetry. But don’t wait for the curators to endorse your dose of comic cheer–every one of these pieces can be seen on Snider’s Tumblr page.
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It Was Nothing, Really
W.H. Auden lived a secret life, not as a man with a second family or an illicit habit but as, weirdly enough, a genuinely kind human being. He paid for a friend’s costly operation and camped outside the apartment of a woman who suffered from night terrors until she felt safe enough to sleep on her own again. So why did the poet want to hide his good deeds? He claimed he didn’t want to be admired for basic decency.
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“How enterprising of you”
A couple weeks ago, I recommended that budding Randians read this self-edifying excerpt, taken from Ayn Rand’s version of Harry Potter and the Half-Blood Prince. Now, Rand has penned her own version of You’ve Got Mail, again kindly published by Mallory Ortberg.
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Tuesday New Release Day: d’Ambrosio; Erpenbeck; Pericoli; Dueñas; Boland; Brecht; Munro
New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard’s contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
I’m sorry but this is a terrible story. Good gosh. I thought Kleeman was supposed to represent the new avant garde. This is straight out of an undergrad fiction workshop. Plot, prose, characterization all tedious. Yet this will be the only piece of fiction many people read this week. Contemporary American lit has so much more to offer than this. Fiction can be inventive, funny, fun, emotionally resonant, edgy…alive…this has all the life of a last-minute high school English paper.
Yipes! Agreed. I’ve read a hundred pieces as time-wastingly “okay” (until that amateurish finish) as that, online, in the past year or so. Why is that particular not bad/not good thing in the NYer? I can only imagine a shrug in response.