“After silence that which comes nearest to expressing the inexpressible is music.” You’ve seen the quote on Pinterest and Tumblr, so why not dig a little deeper into Aldous Huxley’s ideas about the transcendent capabilities of music?
Always and Everywhere
A Literary Thriller
Ahead of next week's publication of The Girl Who Kicked the Hornet's Nest, the battle over Stieg Larsson's lucrative literary estate. (Thanks, Craig)
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Behind the Beautiful Forevers Headed to the Stage
The National Theater in London plans on adapting Behind the Beautiful Forevers into a stage production, reports John Williams. Don't miss Paul Morton’s Millions interview with Katherine Boo from last year.
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Smith Wins Bailey’s
Ali Smith's How to Be Both has won the Bailey's Prize for women's fiction, placing her in the same ranks as Zadie Smith and Lionel Shriver. If you're not too familiar with Smith's work, Jonathan Russell Clark wrote about her for The Millions last year.
Winter Reads: The Little House Books
Laura Ingalls Wilder's Little House books bring an icy take on America in winter. To Guardian reader Alison Gibbsme, "as a child, they were full of adventure and excitement; as an adult I am shocked at how full of danger they are."
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Let’s Have a Panel About It
Man Booker Prize-winner Marlon James is finished talking about diversity, and here's part of his logic: "A panel on diversity is like a panel on world peace. It should be seeking a time when we no longer need such panels. It should be a panel actively working towards its own irrelevance. The fact that we’re still having them not only means that we continue to fail, but the false sense of accomplishment in simply having one is deceiving us into thinking that something was tried."
Divisive Stores
“This year wasn’t short on the best kind of book: the type that polarizes opinion.” The New Republic reviews the most divisive books of the year. Included is our own Garth Risk Hallberg’s City on Fire. Check out opening lines from the story and an interview with the author.
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Just in time for Halloween…
Martin Scorsese presents his picks for the eleven (?) scariest movies of all time. Apparently he stopped watching horror films around the time he directed Mean Streets...
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