“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
All Things Interwoven
True South
Amidst all the controversy surrounding Go Set a Watchman, one question that gets left out is how realistic, exactly, the book is in its depiction of its setting. At Salon, Scott Timberg sits down with Professor Angela Thorburg, who makes a case that regardless of its literary qualities, Watchman is “a very accurate perspective of what’s going on here in the South.”
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On “Influencers” and Filters
The publishers Hamish Hamilton/Penguin UK have begun a “social media experiment” in which they’ll use PeerIndex to single out “influencers” to review and promote books. “Influencers” will be determined by the breadth and reach of their social media presence, and they’ll be selected based on their relevance to certain books. This kind of marketing is exactly what Eli Pariser warns about in The Filter Bubble. (For a quick summary, listen to his TED talk.)
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“You have always been a dark labyrinth”
“Medvedev is Russia’s first genuinely post-Soviet writer”
n+1 posted the introduction Keith Gessen wrote for Kirill Medvedev’s It’s No Good poetry and essay collection, which Gessen translated along with Mark Krotov, Cory Merrill, and Bela Shayevich.
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Just a Formality
The novelist Julie Schumacher wrote her latest, Dear Committee Members, entirely in the form of letters of recommendation. The format allowed her to illustrate the travails of a creative writing professor through a medium often ignored in fiction. At The Awl, Jessica Gross and Merve Emre talk about the novel. Pair with: Cathy Day on academia’s novel crisis.
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Sofia Coppola’s Little Mermaid
Sofia Coppola will direct a live adaptation of “The Little Mermaid.” No, not the Disney version, but the Hans Christian Andersen one. Expect something darker than singing crabs.
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The Myth of the Recluse
Nathan Bransford points out that nobody is “just an author.” Even Thomas Pynchon promotes himself.
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