This essay by Mensah Demary for Electric Literature on Nas and the literary legitimacy of hip-hop is the best thing you’ll read this morning. “Nas is a world-class storyteller and practitioner of the narrative form,” Demary writes, “I don’t understand why there isn’t more discussion around hip-hop’s literary value among today’s millennial-and-boomer intelligentsia.”
School hasn’t started back up yet, so if you’re looking for ways to entertain your kids until the end of Summer, I recommend perusing NPR’s round-up of “100 Must-Reads For Kids 9-14.” (Or, you know, tell them to just go outside already. And to be sure to shut the door to keep the air conditioning in.)
The big debut this week is Imperial Bedrooms by Bret Easton Ellis. Also of interest is a new collection of essays by Sloane Crosley, How Did You Get This Number. The much delayed U.S. edition of a controversial 2009 Booker longlister, Ed O’Loughlin’s Not Untrue and Not Unkind, is now out. As is this intriguing curiosity: Peacock and the Buffalo: The Poetry of Nietzsche, which purports to be the “first complete English translation of Nietzsche’s poetry.”
A really great, thoughtful post about independent book stores in New York from The Written Nerd. A must read if you are a bookseller or if you care about the state of independent bookstores. Read the whole thing and then see my comment on the post for my thoughts.As an antidote to all the “best of” lists, check out the post at Book World about the twelve books she wishes she hadn’t read this year.Least likely to be the next Oprah Book Club Pick: Kitty Kelley is writing an unauthorized bio of Oprah Winfrey.An esoteric obsession: Confessions of a Bookplate Junkie
“Keep a close eye on your Twitter account. Important things may be said there that you will be expected to weigh in on, and if you don’t, everyone will wonder if you fell asleep in the bathroom stall of the bar last night and are still there, head sunken low next to the toilet, one lost contact lens embedded somewhere in the floor grime. Make sure they know you’re not; that was the you of 100 million years ago.” Jen Doll on writing and not-writing.
“That has always been the unsettling irony of the carefree aesthetic. Rhetorically, it denies the full unpredictability of black experiences in America. It is a stereotype, albeit one intended for benevolence and created, perhaps lovingly, by black people.” Doreen St. Félix writes about the roots and ramifications of the “Carefree Black Boy” phenomenon.