“Vivian Lee is the kind of editor you want on your team: a writer at heart who understands the sometimes painful creative process, a fierce advocate when it comes to supporting her authors, and always at the ready with a hilarious tweet up her sleeve.” Check out an interview with Lee at The Rumpus. You could also read a piece in which a few editors share their experiences with their first acquisitions.
Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
Jason Diamond looks at why “books are in [such] abundant supply in the menswear world.”
Want a book blurb from Margaret Atwood? Expect a poem instead. Atwood has retired from the blurbing business and now declines in rhyming verse. “But now I am aging; my brain is all shrunk,/And my adjective store is depleted;/My hair’s getting stringy, I walk as though drunk;/ As a quotester I’m nigh-on defeated.” Pair with our essays on the blurbing blunder: a history of blurbs, blurbs as publicity stunts, and the fundamental question — to blurb or not to blurb?
Want to be as brilliant as Jonathan Swift? Try reading Latin for ten hours a day. As this New Statesman review of Jonathan Swift: His Life and His World makes clear, the satirist went through a backbreaking classics regimen at Kilkenny College in Ireland. (There’s also the fact that he wrote constant letters to a sickly female confidante.)
Ever got the feeling that literary life used to be a lot more glamorous? Well, thanks to this review, we now have some proof that it was. In The Times Literary Supplement, a review of Antonia Fraser’s new memoir, which includes her memories of meeting the Queen and dancing with T.S. Eliot. (h/t Arts and Letters Daily)