“Neither for the first nor last time in his life, Orwell was the brilliant loner who saw what others around him failed to notice.” Adam Hochschild writes on Orwell’s Homage to Catalonia and his unique perspective on fighting in the Spanish Civil War. Vishwas Gaitonde takes us to Orwell’s first home in India.
A Brilliant Loner
Delicious Reads
Attention Los Angeles-based readers and eaters! On Tuesday evening, June 29, 2010, Michelle Huneven and Samantha Peale will be at Canele in Atwater Village to celebrate the paperback releases of their latest novels (Blame and The American Painter, Emma Dial, respectively.) Food from the books will be served–the 3-course dinner is only $34. Skylight will be selling the books.
Early Dust Jackets!
From Page to Screen
Some of the most revered literary novels that have appeared in recent years will be adapted for television. Jonathon Sturgeon writes for Flavorwire, “What do we call this new relationship between prestige and streaming TV and the literary novel? The two now shape each other in peculiar, formal ways—like lovers who share an apartment, they’ve started speaking and looking alike.” Pair with this Millions piece on literary magazines in film and TV.
A Writer Who Needed “The Talk”
The Journals and Diaries of E.M. Forster is now on sale, and among other things, it reveals that its author, who appeared to feel queasy about sex in general, didn’t know exactly how “male and female joined” until he was thirty years old.
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Tuesday New Release Day: Kang; Moshfegh; Ronsino; Xilonen; Cusk
New this week: Human Acts by Han Kang; Homesick for Another World by Ottessa Moshfegh; Glaxo by Hernán Ronsino; The Gringo Champion by Aura Xilonen; and Transit by Rachel Cusk. For more on these and other new titles, go read our most recent book preview.
Tana French’s Accidental Writing
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
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