Recommended (Revolutionary) Reading: On why Kate Millett’s Sexual Politics remains so relevant to today’s most heated literary arguments, despite its being nearly fifty years old at this point.
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
“When it started almost 15 years ago, [Google Books] … seemed impossibly ambitious,” writes Scott Rosenberg. “An upstart tech company that had just tamed and organized the vast informational jungle of the web would now extend the reach of its search box into the offline world.” But these days, Google’s moonshot has turned into a “mundane reality.” How?
After successfully raising funds through their Kickstarter campaign (which we’ve mentioned previously), Red 14 Films has begun releasing the first of their cinematic book trailers. First up is this video for Jason Ockert’s novel, Neighbors of Nothing. Look out for works for Monica Drake, Matt Bell, and Scott Dominic Carter in the near future as well. In the meantime, you can also check out an earlier video put together for Athena Lark’s Avenue of Palms.
Accusations of plagiarism – the real kind, which is not to be confused with “self-plagiarism” – just keep following Turkish writer Elif Şafak, don’t they? Lydia Kiesling previously reported on the fiasco around her book Iskender last August, but now more allegations are surrounding the cover art on Şafak’s latest novel, Şemspare.
Margaret Atwood and Naomi Alderman have written a comic zombie novel entitled The Happy Zombie Sunrise Home, which can be read for free on the website Wattpad. So far, three chapters have been posted, with a total of thirteen to be published in the ensuing weeks.
Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke‘s Millions essay, “Alive with Disagreement and Dissent.”