Recommended (Revolutionary) Reading: On why Kate Millett’s Sexual Politics remains so relevant to today’s most heated literary arguments, despite its being nearly fifty years old at this point.
“Last week, the Oregon Shakespeare Festival announced that it had commissioned thirty-six playwrights to translate all of Shakespeare’s plays into modern English. The backlash began immediately.” The New Yorker on why we don’t change Shakespeare’s language. You could also check out our traditional and modern readings of Shakespeare.
In case you missed it: JK Rowling just released a new Harry Potter short story on her own promotional website. Before you get too excited: the New Republic is less than sanguine, calling it "a marketing scam." (Code for: not very good writing?) Which is not going to keep me from reading it anyway. Readers with more restraint might note that "You don’t have to be a Barthesian grad student to chafe at Rowling’s impulse to clarify the words on the page." (Pair with our discussion of fan fiction and the afterlife of literature.)
Our own Garth Risk Hallberg’s City on Fire is almost here. While we wait, read Boris Kachka’s profile of Hallberg for Vulture, about the expectation surrounding his highly anticipated 944-page debut novel and the experience of writing a book that is “unpublishably long.” We'll be publishing our own illuminating interview with Hallberg on Monday.
"A colouring book, Colouring in the Lions, will head the list for children and feature vintage art from the NYPL archive. Also planned is a yet-to-be-titled picture book featuring Patience and Fortitude – the two lion statues that stand at the entrance to the library’s main building – and a YA novel based on the true story of a family who lived in the library." The Guardian reports on a partnership between the New York Public Library and Macmillan publishers to produce five to eight books per year inspired by the library's collections.
The Barcelona Review has the text of the eponymous story from Alan Heathcock’s Volt for your reading pleasure. You might remember Heathcock’s work from last Decemeber, when Michael Schaub picked the “dark, beautiful short story collection” in his Year in Reading installment, and then gave it a glowing review for NPR.