Recommended Reading: William Shakespeare’s handwritten plea for the humane treatment of refugees.
Out this week: Everything Love Is by Claire King; They Are Trying to Break Your Heart by David Savill; The Moravian Night by Peter Handke; All Joe Knight by Kevin Morris; Of All That Ends by Günter Grass; and A Woman Looking at Men Looking at Women by Siri Hustvedt. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Recommended reading: Michael Booth writes for The Paris Review about the work of Danish author Aksel Sandemose and the “enduring mark on the national character” his satirical Jante Law has left.
Recent estate sales, auctions, and rights deals concerning the legacy and works of William Faulkner are “raising complex questions about what happens to the works of great writers after they die,” writes Stefanie Cohen. “For their part, Faulkner’s heirs say they aim to both honor the writer’s work and raise funds.” (Bonus: the ongoing, public legal battle over rights to Harper Lee’s To Kill a Mockingbird.)
The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.
Jon McGregor has won the International Impac Dublin Literary Award, otherwise known as the richest literary prize in all the land*, for his novel Even the Dogs. To check out the rest of the pool, you can revisit our coverage of both the long and shortlist for the prize. (McGregor’s tweet about this whole affair was pretty grand, by the way.) [*Ed note: a reader in the comments below has disputed this claim.]