Jim Harrison passed away yesterday at the ripe old age of 78, and there’s no better way to honor his memory (and get acquainted with his work) than to take a moment to sit down with these seven fantastic poems from his last collection, Dead Man’s Float.
Every year, like clockwork, a few brave administrators ban a classic book in time for the opprobrium of Banned Books Week. This year, the brave administrators in question work in Randolph County, NC, where Invisible Man by Ralph Ellison will no longer be on the curriculum. Why? Real quote: it’s a “hard read.” (Related: Kelsey McKinney on banning The Bluest Eye.)
In the latest issue of the New York Review of Books, Ice Trilogy author Vladimir Sorokin looks at the current events related to Ukraine, Russia, and Crimea, and notes that “the Russian state’s ‘vertical power’ structure” (which is to say “monarchical structure”) is what keeps the Russian people held “hostage to the psychosomatic quirks of its leader.”
For me, the call of Southern literature comes strongest in the dog days of summer, when the days are long and when the sun is burning. This year, it seems that the literary community has taken note: five representatives from the region’s “great independent bookstores” have gotten together to recommend the Southern books they’re craziest about this year.
If you can’t sit through a 20-minute reading, this one’s for you. Even Dostoevsky hated literary readings. As his narrator puts it, “Generally I have observed that at a light, public literary reading, even the biggest genius cannot occupy the public with himself for more than 20 minutes with impunity.” Pair with this Millions essay on the lively and maybe lost art of the literary reading.
To add to the awards lists, Believer has announced its editors’ shortlist for the Believer Book Award, which looks to acknowledge “the strongest and most underappreciated” novels of the year. The shortlist includes Danielle Dutton’s Sprawl; Kira Henehan’s Orion You Came and You Took All My Marbles (reviewed for The Millions); James Hynes‘ Next, Grace Krilanovich’s The Orange Eats Creeps (reviewed for The Millions); and Paul Murray’s Skippy Dies (reviewed here).