This weekend is the last chance to visit the International Antiquarian Book Fair in Boston. Included are a collection of Bonnie and Clyde photos and an illustrated letter from Alexander Graham Bell to his parents describing problems with his phone invention.
I’ve written before about By Heart, a series at The Atlantic in which authors write short pieces about their favorite passages in literature. This week, our own Edan Lepucki — whose new novel you may have heard about thanks to Stephen Colbert — writes about the metaphors in Margaret Atwood’s The Handmaid’s Tale. (FYI, Margaret Atwood wrote a Year in Reading entry for The Millions.)
“To the pathless wastes, into thin air, with no reviews, no best-seller lists, no college curricula, no National Book Awards or Pulitzer Prizes, no ads, no publicity, not even word of mouth to guide me!” For her new book The Shelf: From LEQ to LES, Phyllis Rose undertook the ultimate stunt in writing-about-reading: an unsorted shelf with no logic at all.
The unwritten rules of steampunk declare that in every steampunk story, the Hindenburg never caught fire, the world never lost its desire for blimp travel and the skies are dotted with hot air balloons and zeppelins. As it happens, this element of the genre stems from old utopian narratives, many of which depicted a future of widespread balloon travel. At Salon, Kyle Minor reviews the audiobook of a new history of the hot air balloon, written by Richard Holmes, that shows how the rise of air travel changed the world’s imaginative territory.