“These are not stories about the weather, these are stories about life and death.” Over at Ploughshares, E.V. De Cleyre considers the weather in contemporary literature.
Weather Advisory
On Bad Reviews
Recommended (Archival) Reading: “The language is too rich and poetic for my liking” and other gems from Amazon one-star reviews of classic novels, dredged up in 2014 by Electric Literature. Pair with the worst book review ever written.
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YiR Alums In Spook
Are you familiar with Spook magazine founded and edited by Jason Parham? It focuses on promoting artists of color and their work. This month the fiction issue, was released and it features work from beloved writers (and Year in Reading alums!) Junot Diaz, Angela Flournoy, and Vinson Cunningham. Along with YiR favorite Justin Torres. You can buy it here! Perfect read for the snowy weekend.
Two Feet Bad
"Children have a keen sense of injustice, and this was the thing that upset me the most: the pigs were so unjust." Margaret Atwood recalls an early love of George Orwell.
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Excerpt from The Lola Quartet
Joyland’s got a sweet excerpt from our own Emily St. John Mandel’s latest novel, The Lola Quartet.
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Tuesday New Release Day: Dos Passos; Wagner
Out this week: a new e-book edition of The 42nd Parallel by John Dos Passos and The Empty Chair by Bruce Wagner.
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“In matters like writing[…], a man does what he has to do—if he has to write, why then, he writes”
Rebecca Davis O'Brien unearths a letter in which Malcolm Cowley tackles the timeless question, "Should I get an MFA?" Just as poignant as Cowley's letter is novelist Helen DeWitt's pointed dismissal of Cowley's advice in the comments section.
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Writer-Collector
"I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend." Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, "the chaos of memories," and becoming a writer. Pair with David L. Ulin's reflection on Bergman's essay and the way we think about memory, written for the LA Times.