Victor Hugo, when asked about the other parts of Dante’s Divine Comedy that aren’t the widely-read Inferno, had this to say: “The human eye was not made to look upon so much light, and when the poem becomes happy, it becomes boring.” Ouch. Is this why so many of us haven’t even read Dante, despite his being a kind of cultural icon?
At Flavorwire Jonathan Sturgeon considers what we’ve learned from Dubliners in the hundred years since it was first published and argues that “when it comes to realism, Dubliners, more than even Chekhov’s short fiction, is the model we routinely fail to live up to.” Sturgeon’s reflections on Joyce‘s free indirect discourse pair well with Jonathan Russell Clark‘s Millions essay on close writing, and his essay isn’t completely without hope: he concludes with a few books that, “on the surface, look nothing like Dubliners, but, in spirit… show that Joyce’s book still lives 100 years on.”
Yes, but what’s everyone else reading this summer? Bookstores in beach towns know better than to stock “business, personal finance, or diet” books–though poetry does pretty well–but they are looking forward to these bestsellers. The print-disinclined can take heart that there are even a fair number of literary movies coming out soon. (Related: our own recommended summer reading list, also blessedly personal finance-free.)
Whether or not you believe that Oxford University Press is “the largest, most diverse and most respected university press in the world,” you’ll appreciate this review of a new history of the company, which goes through OUP’s origins, its relationship with its namesake and the opening of its New York office in 1896.