Victor Hugo, when asked about the other parts of Dante’s Divine Comedy that aren’t the widely-read Inferno, had this to say: “The human eye was not made to look upon so much light, and when the poem becomes happy, it becomes boring.” Ouch. Is this why so many of us haven’t even read Dante, despite his being a kind of cultural icon?
We Read No More
Clearness, Wetness, Coolness
Anne Carson has a new story in this week’s issue of The New Yorker, about swimming and its discontents. As she puts it, “People think swimming is carefree and effortless. A bath! In fact, it is full of anxieties.” Pair with her first published short story in the January issue of Harper’s.
“Can you lend me [Goethe’s] Theory of Colors for a few weeks? It is an important work. His last things are insipid” -Beethoven
Booktryst offers a peek at famed German novelist and (apparently) amateur physicist Johann Wolfgang von Goethe’s Theory of Colors, revealing Goethe as a sort of proto-Kandinsky.
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Great Expectations
John Keene, Ken Chen, and seven other writers share their most anticipated books coming out this spring. Also check out The Millions great book preview.
A 2BR/2BA of your Own
Broke New York writers – by which we mean, New York writers – take note: the city’s Department of Housing is allotting a small number of $1,022 two-bedroom apartments to working artists through a convenient online application. (If that’s too rich for your blood, though, we’ve also noted previously that Write a House is giving away free houses to writers in Detroit.)
Lost Words in Dead Language
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The Story Writer and His Writer Friend
Beautiful Ruins author (and Year in Reading favorite) Jess Walter describes “the genesis of a story.”
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The Graveyard Movie
Neil Gaiman’s 2009 Newbery medal winner, The Graveyard Book, was originally supposed to be adapted into an animated film. Now, however, it looks like Ron Howard might take the project’s reins and shoot it in live action.
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