Recommended Reading: Søren Kierkegaard and Anna Akhmatova overheard whispering on a stairwell.
Very Secret and Odd
Shriver on Kids, Movies
We once wondered if Lionel Shriver is America’s best writer, and she once shared with us her love for William Trevor. In an interview with The Atlantic, she talks about not having kids and says the adaptation of We Need to Talk about Kevin “is a far better film than I had any reason to expect them to be able to make.”
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Across the Screen
“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
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The Bard 2.0
To celebrate the 400th anniversary of William Shakespeare’s death in 2016, he’s getting a makeover. Jeanette Winterson is writing a cover of The Winter’s Tale, and Anne Tyler will be revamping The Taming of the Shrew for a 21st century audience. While you wait, watch Joss Whedon’s update of Much Ado About Nothing.
Allan Seager’s Place in the Canon
John Warner‘s great uncle Allan Seager wrote a short story “etched permanently into the American consciousness in a way even Hemingway can’t match.” In this marvelous essay, Warner investigates the writer’s inspiration and legacy.
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“Post-Skynyrd”
Recommended Reading: Bronwen Dickey on Ben Metcalf’s Against the Country.
Litterae Publicae
Azar Nafisi thinks the best way to pin down a culture is to take a look at its canonical works of literature. In The Republic of Imagination, as Adam Begley details in a review in the Times Literary Supplement, she examines a few of America’s classic novels, including Babbitt, Huck Finn and The Heart is a Lonely Hunter. You could also read Jonathan Russell Clark’s review of the book for The Millions.
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An Interactive Diary
The London Review of Books has created an interactive map of their diary entries. Check out where 100 of their authors were writing.
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