“They found, unsurprisingly, that blocked writers were unhappy. Symptoms of depression and anxiety, including increased self-criticism and reduced excitement and pride at work, were elevated in the blocked group; symptoms of obsessive-compulsive disorder, such as repetition, self-doubt, procrastination, and perfectionism, also appeared, as did feelings of helplessness and ‘aversion to solitude’—a major problem, since writing usually requires time alone.” On the causes of writer’s block.
Unhappy Writers Are Unhappy in Their Own Ways
Desconocido
Why do Americans read so few translated works? A lot of reasons come to mind, but one is that translated books are often the purview of small publishers, who don’t have the same marketing budgets as the larger companies in the industry. At The New Yorker’s Currency blog, Vauhini Vara looks at the statistics compiled by Three Percent, a database at the University of Rochester that tracks publications of translated works in the country. Related: Oliver Farry’s interview with the Portuguese writer António Lobo Antunes.
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We at the Hotel, Motel, Holiday Inn
The Oxford American has made True Grit author Charles Portis’s “Motel Life, Lower Reaches” available online for the first time. The piece first appeared in an OA issue from 2003, and it’s also available in Escape Velocity, but you should still read it because it’s Charles Portis, damn it, and you’ve only one life to live in this world. (Related: Hobart just published their “Hotel Culture” issue, which is also worth your time.)
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Not at All Exaggerated
In 1913, Ambrose Bierce, at the age of seventy-one, rode a horse from California to Mexico, where he planned to cover the ongoing Revolutionary War. At some point, he disappeared and died, though accounts vary as to what exactly killed him. At The Paris Review Daily, Forrest Gander recounts the many deaths of the Devil’s Dictionary author, which include a public burning, death by disease and executions at the hands of Mexican soldiers.
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Compressed Madness
In a conversation from Upstairs at the Strand, Year in Reading alumnus Junot Díaz and Hilton Als discuss masculinity, science fiction, realism and truth, and representations of Latino culture. Pair with Paul Morton’s Millions interview with Díaz.
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On the Cover
Janet Hansen, designer for Alfred A. Knopf, explains her process in creating the cover for Steven Millhauser’s Voices in the Night. Look back on our comparisons of U.S. and U.K. book covers.
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Darcy the Ripper
As part of the Funny Women feature at The Rumpus, Melissa Darcey wonders: what would it be like if Lifetime made movies out of classic novels?
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Prank Fodder
With April Fool’s Day approaching, it’s a good time to wonder: what kinds of horrible things will you do to the people you love? At the OUP’s blog, a list of great pranks for inspiration.