“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.
Carolyn Kellogg rounded up a great list of “Terrible Beach Reads,” and it serves as a nice companion to Rachel Meier’s list of “Burnt-out Summer Reads.” However, if you’re looking for a few more titles that’ll keep you out of the water, allow me to suggest my all-time favorite shark-centric books: Susan Casey’s The Devil’s Teeth, Michael Capuzzo’s Close to Shore, and Doug Stanton’s In Harm’s Way.
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
Comic book creator, novelist, screenwriter, journalist, lyricist — is there anything Neil Gaiman hasn't done? He can add professor to his already impressive resume soon. Gaiman will be joining the Bard College faculty and teaching an advanced fantasy fiction workshop in the 2014 spring semester. Also, he recently spoke to NPR about Sandman.
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. "Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece," he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.