Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
New this week: The Good Lord Bird by James McBride; Night Film by Marisha Pessl; The Twelve Rooms of the Nile by Enid Shomer; The Daughters of Mars by Thomas Keneally; and Holy Orders, a new Quirke novel by John Banville/Benjamin Black. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
Are you a guy with good taste in frames and fiction? Then come to the next I Like Your Glasses: Literary Speed Dating. CoverSpy and Housing Works Bookstore Cafe will be hosting the event on February 12 at the store. Tickets are $15 (including a free drink), but gents can get their tickets for $12 if they use the promotional code “QUEEQUEG.” To see what you’re in for, read our essay on attending the first I Like Your Glasses.
“By three a.m., the seven of us had drunk a case of champagne, plus two additional bottles, followed by whiskey digestifs for the men. ‘They do this all the time,’ Pierre’s wife Chloe whispered to me in English at one point—dismissively, but without malice. As if to say, sure, Pierre’s relatives were lushes, but perhaps this was how life should be, inévitablement.” I doubt I have to tell you what city this all took place in.
Jonathan Franzen’s 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you’re concerned with critical reception, looks like you’re not a creator of “serious art and literature,” in Franzen’s eyes.
Using pen names has been a common practice for, well, a very long time. George Eliot is a nom de plume, as are George Orwell and George Sand. Though not a George, journalist Sarah Hall chose to publish her fiction under a different name. She writes for The Guardian about this decision, the history of the pen name, and the reasons authors continue to use them.