Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
“I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world.” Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
The New York Review of Books posts a vintage essay by Joan Didion on the films of Woody Allen: “This notion of oneself as a kind of continuing career—something to work at, work on, ‘make an effort’ for and subject to an hour a day of emotional Nautilus training, all in the interests not of attaining grace but of improving one’s ‘relationships’—is fairly recent in the world, at least in the world not inhabited entirely by adolescents. In fact the paradigm for the action in these recent Woody Allen movies is high school.”
“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
HTML Giant contributor Jimmy Chen has written a masterful and hysterical piece for McSweeney’s entitled “Raymond Carver’s OKCupid Profile, Edited by Gordon Lish.”
This year is all about #readwomen2014 and #weneeddiversebooks. Faint Promise of Rain, the debut novel from Anjali Mittar Duva, satisfies all these criteria. The book is just out from SheWrites press and is set in the turbulent, caste-driven setting of the Mughal empire. Read an excerpt over at Bloom.
Following a long battle with cancer, David Rakoff died Thursday night at the age of 47. Rakoff recently delivered a novel entitled Love, Dishonor, Marry, Die; Cherish, Perish to Doubleday, and fans can look out for it next year. Reflections on Rakoff’s life and legacy can be read courtesy of Jason Diamond and Choire Sicha, and two of Rakoff’s best This American Life pieces can be found here and here.
“Perhaps it’s a sign that our literary culture is not quite so ailing that Smith managed to make a space for NW, to clear a third path, one that meanders through Willesden, through time, and through the mind.” Our own Emily M. Keeler on realism and Zadie Smith.