“If only the interest he provokes were limited to his immediate surroundings, but, alas, it is not!… Still farther away, great mountains of data mining sum up, in zeroes and ones, the ultimate truth of his being.” KA Semënova updates Nabokov‘s short story “Signs and Sumbols” (and works by other famous Russian authors) for McSweeney’s, “teh internets” and the digital world.
Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
We’ve already published a pair of great lists of gifts for writers, but I know more than one book lover (ahem) who would be thrilled to get this collection of vintage Penguin book cover postcards.
“The French writer Marcel Proust paid for glowing reviews of the first volume of his Remembrance of Things Past to be put into newspapers.” Letters by Proust, which will be auctioned off at Soethby’s in Paris next month, reveal he was willing to pay handsomely for flattering references to his novel. See also: the first entry of The Millions’ Hannah Gersen‘s column, The Proust Book Club.
From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”
At HTML Giant, Catherine Lacey interviews David Shields, who says that his new book, How Literature Saved My Life, drew material from his stated identity as a “highly self-conscious lab rat.” For more, you can read our own Mark O’Connell’s review of his book in the Times.
This week marked the 90th anniversary of Mrs. Dalloway‘s publication. Over at The Paris Review, Sadie Stein posted an animated adaptation of the novel, which she describes as “either the worst or the best… depending upon how highly you value things like coherence, tone, and style.”