Recommended Reading: Elisa Gabbert at Guernica on the relationship between ideas and language. “How can the name come after the concept if you need the name to understand the concept? This problem of circularity always made me resistant to the Sapir-Whorf hypothesis in its strong version, which states that our thoughts are bound by the restraints of our language.”
“I’ve spent my whole professional life swirling the eddies of the margins… What I want right now is to see my book in an airport. Then in a couple of years everyone will figure out that I’m too esoteric, and I’ll be back…” The New York Times posts a curious interview with the unconventional Jaimy Gordon, winner of this year’s National Book Award.
Attention! 3 Quarks Daily has announced its 4th annual prize for arts and literature online writing, to be judged by novelist Mohsin Hamid. Articles from The Millions writers have won before (a piece from Lydia Kiesling in 2010 and another from Edan Lepucki in 2011) and we’d love to keep that tradition going. Nominations can be posted in the comments of the announcement, so please recommend any Millions writing you have enjoyed since March of last year. And to all of our guest contributors out there, be sure to nominate your Millions pieces!
“We lived in the Midlands, and when I moved to Dublin for university Frank liked to call me up and talk to me about my late mother, whom he informed me was ‘no saint’.” Sally Rooney’s short story from the New Irish Writing issue of Granta is now available on the Literary Hub website.
“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.