In an author photo investigation, Matthew Shear and Sven Birkerts discuss standard poses and the anomalous picture of Birkerts that appears in The Other Walk. Pair with this Millions essay about the perils of designing the cover of Lolita.
The Other Image
Dead Pig Collectibles
Warren Ellis’s Dead Pig Collector was released this week as a Kindle Single, and with it came a whole heap of extras. To wit: there’s an online excerpt, an author interview, another piece of fiction, and also an accompanying music playlist created by the author. (In that interview, he remarks that his next novel will be based on this talk he gave two years ago.)
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How to Be a Book Critic
As part of an ongoing series, Critical Mass asks book critics to name five books that should be found in any reviewer’s library — Ruth Franklin of The New Republic posts her picks. (via Book Bench)
Brittle Bird Bones
Recommended Reading: This unsettling, important essay by Kira Jane Buxton at The Rumpus: “He starts to move with a slow hiss. This is his place, his world, and so when he walks he does it slowly, time in his pockets. He keeps his eyes on me, keeps me in my place in his world. I can’t hold the fear back for much longer, the bridle is snapping.”
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Blazing the Path
Pultizer Prize winner for fiction (and Year in Reading alum), Viet Thanh Nguyen, speaks about writers who “blazed the path” ahead of him at The Washington Post. For all of the Pulitzer Prize finalists, head to our comprehensive list.
“Qualities other than introspection”
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Thanks Sounds Good
“I love you, in its formal semantic meaning, is at once fetishized and sacrosanct; our familiarity with it as a speech-act is equally uneasy. Type ‘using I love you’ into Google and the first autocomplete result is ‘too much’; the second is ‘as a weapon.’” Google’s recently unveiled Smart Reply feature is saying “I love you” too much. Or is it just the right amount?
The Dungeon Master
Sam Lipsyte’s short story on role-playing games, “The Dungeon Master,” is up at the New Yorker: “The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.”
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