For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
The Made-up Divide
A Good Deaf Man Is Hard to Find
Sara Nović writes for The Believer about the deaf protagonist of Stephen King’s The Stand. As she explains it, “This is the plight of the average deaf character: to be plagued by the hearing author’s own discomfort with the idea of silence.” Pair with Lydia Kiesling’s Millions essay on King.
The Mind Reels
Alcohol. Promiscuity. LSD. All three are said to inspire creative minds. And if Sarah Dunant’s well-researched new novel, Blood and Beauty, is credible, we can add a new one, syphilis, to the list. (Wait, what?)
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“I see their politics as a response to a challenge they both face”
Page-Turner interviewed Dinaw Mengestu, who has a story in the latest issue of the New Yorker (paywall), and whose forthcoming book All Our Names was highlighted by yours truly in our Great Book Preview.
Discussing The Worm
“Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world.” John Darnielle talks with Colin Winette about E.R. Eddison‘s The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
An American Poem
“I offer you a moody campaign!” Illustrator Nathan Gould revisits the 1992 presidential election, in which badass feminist (and really great writer) Eileen Myles ran as an “openly-female” write-in candidate.
Little Prince, Lots of Translation
This month, Antoine de Saint-Exupéry’s iconic children’s book Le Petit Prince will be translated into Hassanya, a rural Arabic dialect spoken in portions of Mauritania, Morocco, Algeria, Senegal, and Mali. This marks the 300th translation of the book.
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De Sangue
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.
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