For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
Sara Nović writes for The Believer about the deaf protagonist of Stephen King’s The Stand. As she explains it, “This is the plight of the average deaf character: to be plagued by the hearing author’s own discomfort with the idea of silence.” Pair with Lydia Kiesling’s Millions essay on King.
“Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world.” John Darnielle talks with Colin Winette about E.R. Eddison‘s The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.