For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
“And then Obama comes over to my desk with the speech, and he has a few edits. And he’s like, ‘I just want to go through some of these edits and make sure you’re ok with this. I did this for this reason. Are you ok with that?’ And I’m like, ‘Yeah, buddy. You’re Barack Obama.’” Jon Favreau, former chief speechwriter to President Obama, sits down with Longform.
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing “some of the best writing today” and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).