Over at the Literary Hub, twelve writers reflect on the high school English teachers who changed their lives. Also check out Nick Ripatrazone’s piece of advice for English teachers.
The Formative Years
Okay, but the Sample Size Tho
“It’s possible that when it comes to books, we have overestimated the means of delivery and have underestimated the importance of the content conveyed in the media.” A recent study demonstrated that preschoolers demonstrated the same level of reading comprehension regardless of whether the story they were, ahem, consuming came in digital or analog form, reports MOBY Lives. For more on the print vs. screen debate, see Alix Christie on the persistence of physical books; and of course it would be criminal not to mention our own founder C. Max Magee‘s killer compilation The Late American Novel: Writers on the Future of Books.
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Hits and Misses
“You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.” The Guardian asks indie publishers about the books that made their year, including Sudden Death by Álvaro Enrigue (whose own Year in Reading you can find here).
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SUNY Buffalo’s Electronic Poetry Center
Recommended Reading: Just about every poet listed on SUNY Buffalo’s Electronic Poetry Center, but particularly the work of my former creative writing professor, Paolo Javier. His page was added two days ago.
Book & Beer
To kick off German Literature Month, Melville House’s marketing manager picked the best beers to drink as you read Heinrich Böll. Now Dogfish Head’s brewmaster Sam Calagione has paired beers with a few other literary classics.
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The Dungeon Master
Sam Lipsyte’s short story on role-playing games, “The Dungeon Master,” is up at the New Yorker: “The Dungeon Master has detention. We wait at his house by the county road. The Dungeon Master’s little brother Marco puts out corn chips and orange soda.”
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Masters of Names
Georgy Manaev investigates the pen names of famous Russian writers, from Maxim Gorky to Chekhov. Pair with this Millions piece on literary names that are hard to pronounce.
Weltschmerz
At Full Stop, the editors interview Susan Bernofsky, who directs the literary translation program at Columbia and has published translations of works by Robert Walser, among other writers. She talks about German phrases that rarely appear in English, as well as the ethics of translating a work faithfully: “I think it’s the translator’s responsibility to be so attuned to the requirements of a given text (and the universe of the author) that these inevitable interventions are always appropriate and never arbitrary or willful,” she says. You could also read Tanya Paperny on the translator Michael Henry Heim.
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