It looks like it’s a poetry kind of morning. Spring is on its way, and what better way to celebrate than with Dante Gabriel Rossetti’s “The Sun’s Shame,” a poem of death and desire … and also sunshine: “All soulless now, yet merry with the Spring!”
The Fleshy School
Life and Fate
Kenneth Branagh and David Tennant star in an eight-hour dramatization of Life and Fate by Vasily Grossman. Completed in 1960, and centered around the bloody battle of Stalingrad, the novel was deemed so dangerous by the KGB that the book itself was arrested. BBC's excited, and all the episodes are available to download.
Big Fans
Chances are you know (and chances are you wonder why you know) that 50 Shades of Grey started out as a work of Twilight fanfiction. You probably harbor some deep suspicions about the value of fanfiction as a genre. But what if I were to tell you that the prototypical work of fanfiction is… The Gospels?
Reality Slips
“I sensed myself hurtling into the reality of the film, and leaving my own behind.” Esme Weijun Wang writes on the slippage of reality in films and schizoaffective disorder.
●
●
Lost Ideas
Remember that story you were going to write about your neighbor's dog but never did? When you're a writer, you have to know when to ditch both the bad and good ideas. At The Atlantic, Bob Brody laments all the stories he'll never write and concludes: "It’s taken me a long time to learn this—that sometimes the best course of action is inaction."
●
●
Matthew Salesses Interviewed
Get to know Matthew Salesses, whose story “High Schools, or How to Be Asian American” we shouted out a few months back.
●
●
Winter Reads: The Little House Books
Laura Ingalls Wilder's Little House books bring an icy take on America in winter. To Guardian reader Alison Gibbsme, "as a child, they were full of adventure and excitement; as an adult I am shocked at how full of danger they are."
●
●
Reclaiming the Allegory
Recommended Reading: On the literary tradition of the allegory and what it means for modern storytelling. Staff writer emeritus Emily Colette Wilkinson writes on The Dark Knight as political allegory.