“Although I didn’t realize it at the time, I myself was no stranger to being othered.” Over at The Literary Hub, Carla Bruce-Eddings recounts some reading lessons from her teenage self. For a bit of perspective from the other side, here’s our own Nick Ripatrazone on teaching high school and college.
“Is the reason to have a home, as the narrator in Jenny Offill’s Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell’s autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.
“Tarzan know, Tarzan know: ‘Mood? Me want to write like Warren Buffett. Mood — that for house DJ or Al Green.'” Here is Tarzan’s Guide to Elliptical Style For Effective Business Writing from the good people over at McSweeney’s.