Heads up, writerly types! Dzanc Books is looking for submissions for their newly-announced 2016 Prize for Fiction. Judges Carmiel Banasky, Kim Church, and Andrew F. Sullivan will determine the winner, who is slated to receive publication and a not-so-insignificant $10,000 prize. Go get published.
“I HAVE A FLOWER. OHO. SUDDENLY WE’RE NOT SO SKEPTICAL, ARE WE?” I know it’s 2016 and he’s been dead for almost two hundred years now, but these otherwise inexplicable texts from Samuel Coleridge (by way of Mallory Ortberg at The Toast) are hilarious and totally believable. Some earlier hits include texts from Charles Bukowski and Cormac McCarthy.
Does it come as any surprise that Lost creator J.J. Abrams would write a book that his editor describes as “the most high concept novel I have ever come across“?
Out this week: The Book of Joan by Lidia Yuknavitch; Imagine Wanting Only This by Kristen Radtke; A Line Made by Walking by Sara Baume; The Woman Who Had Two Navels and Tales of the Tropical Gothic by Nick Joaquin; and My Cat Yugoslavia by Pajtim Statovci. For more on these and other new titles, go read our most recent book preview.
New this week: The Circle by Dave Eggers; Dirty Love by Andre Dubus III; How to Read a Novelist by former Granta editor John Freeman; Solo, a new James Bond novel by William Boyd; and “the first in-depth overview of Wes Anderson’s filmography” by the New York Magazine TV critic Matt Zoller-Seitz.
“I would have been an abject failure in a writing program. I am not unteachable, but I am probably the only person who can teach myself. I don’t learn extremely well, formally. I wouldn’t even consider myself a very good reader. Maybe a slightly above average reader.” At The Morning News, Robert Birnbaum sits down with Charles Yu.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.