“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?
Want your writing to have punch? Want your readers to believe you? “The five-word sentence as the gospel truth…Express your most powerful thought in the shortest sentence,” Roy Peter Clark writes in The New York Times. Sorry that every sentence in this post is more than five words.
It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”
“Some psychiatrists say that music has therapeutic powers and can even restore fluidity and mental structure for a moment in some patients – music is the opposite of chaos. It may be that heavy metal, the music his parents blamed in part for this entire catastrophe, is the only thing that gives order to my cousin’s worn-out brain. No one knows, except him.” On trying to seek refuge from schizophrenia in heavy metal.
Here’s to wishing you a spooky Halloween with this piece by Micah Nathan of The Paris Review. Nathan hearkens back to his boyhood–a much simpler time of casual demon-summoning, Satanism, and the occult. This essay by our own Anne K. Yoder will satisfy any lingering desire for the four Humors.
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.