At Read by Famous, you can purchase secondhand books and know their previous owners—actors, comedians, athletes. There’s one week left in the auction, and all of the proceeds benefit charities. Pair with our own Jacob Lambert’s thoughts on thirty minutes at a used book sale.
Secondhand Fame
Can’t We Go Back to Page One
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It’s Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
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Art Like Reading a Good Book
Erica Baum uses found language and blackboards as her canvases. “Looking closely at Baum’s work to intuit such realities is both challenging and rewarding like reading a good book.”
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Wimmer on Bolaño
Year in Reading alum Scott Esposito asks fellow Year in Reading alum Natasha Wimmer nine questions about Roberto Bolaño’s The Third Reich.
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Takeaway Point
Zadie Smith could write herself out of a Chinese takeout box, and that’s exactly what she does in her essay on the differences between British and American takeout culture, “Take It Or Leave It,” for The New Yorker. “I don’t think any nation should elevate service to the status of culture.”
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Art For Free
This past week, The Guggenheim made 65 art catalogs available online. Open Culture‘s Dan Colman has written a “few handy instructions” to guide you through the treasure trove of records.
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Mass(ive) Effect
What effect, if any, are video games having on literature? Tobias Carroll at Hazlitt explores the surprising liminal space between video game narratives and literary fiction. This essay from The Millions is a nice complement.