What is the function of the art critic, anyway? According to Barry Schwabsky at The Nation, it is not “making or breaking” an artist, but rather “ up perspectives without … belaboring them.” For the critically minded among you, here’s a Millions review of A.O. Scott’s new book Better Living Through Criticism.
Rethinking Art
More Anticipated Books
The eagle-eyed Scott Esposito spots fall publication dates for volumes I and II of Murakami‘s IQ84…and for Helen DeWitt‘s new novel (!), Lightning Rods, due out from New Directions.
Reviews of Tom McCarthy’s C
Cirque Du Freak
The latest actor to go vampire? John. C Reilly! As you might expect, he’s a hammy vampire, not a sparkly one. See the preview for Cirque du Freak: The Vampire’s Assistant
●
●
What’s A Guy Got to Write to Get a Bridge Named After Him?
Frank McNally investigates the “dark forces at work somewhere” that prevent Flann O’Brien from being honored with a Dublin bridge. Perhaps we should all start a grassroots campaign to send Mark O’Connell’s O’Brien tribute to Irish civil engineers.
●
●
Unavoidable Anachronism
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
●
●
“Scatter[ing] lightning and lawn debris across your psyche.”
The estimable New York Times Magazine profiled Patricia Lockwood this week, and in the process printed the phrase “tit-pics” for probably the first time in the Grey Lady’s history. Lockwood’s name should be no stranger to Millions readers, of course, as I’ve previously steered readers’ attention toward The Poet Laureate of Twitter’s works in the past (such as this one, and this one, and this one, too.) As a bonus, Dwight Garner reviewed her latest collection, Motherland Fatherland Homelandsexuals, for the paper as well.
●
●