“I almost understand why God laid this affliction on him.” A new piece of fiction by Annie Proulx is always worth a read. Fun fact: there was a time in her career when Proulx had to pretend she was a man in order to be published.
Resolution
Space Oddity
How does copyright work in space? Everyone’s favorite Canadian astronaut Chris Hadfield learned the hard way.
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Writers Pensions: Should We Have Them, Too?
More than 80 published writers in Buenos Aires receive monthly pensions meant to strengthen to “vertebral column of society.” Sums can reach nearly $900 a month.
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Blooms of Darkness wins the Independent Prize for Foreign Fiction
Aharon Appelfeld, a prolific Israeli novelist, has won the Independent Prize for international fiction for his latest book, Blooms of Darkness. Check out our guide to this year’s award’s shortlist.
My Book Didn’t Influence Terrorism
Ashwin Sanghi first published his book, The Rozabal Line, on Lulu.com under the anagram Shawn Haigins. A revised edition of the book was published by Westland Ltd. & Tranquebar Press much later, and garnered controversy with readers pointing out similarities between its plot and the 26/11 terrorist attack on Mumbai. Sanghi’s response? “Any book based on research could have real life commonalities.”
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Sainthood Etc.
Need something to complement our profile of Jami Attenberg’s Saint Mazie today? Then try this on for size: Year in Reading alum Emily Gould conducts an interview with the author at The Rumpus. Among other things, they talk about historical fiction, writing quickly and doing research on the Lower East Side.
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Dispatch from Italy
Over at Asymptote Journal, Aamer Hussein discusses three well-kept Italian secrets who aren’t Elena Ferrante. Pair with Cora Currier’s Millions essay on reading Italy through Ferrante’s books.