“The literary type of burlesque also peels off layers … They are bolder and more coarsely humorous pieces that go beyond silly copies, like turbo-charged parodies. Jane Austen’s burlesques were full-on irreverent, turning a thing on its head, forcing us to peek underneath to see its naked absurdities.” On the proto-feminist snark of a young Jane Austen.
As literary apprenticeships go, it’s hard to beat a chance to live with Doris Lessing. In 1963, not long after the death of Sylvia Plath, Jenny Diski moved in with the future Nobel laureate, who lived just north of King’s Cross in London at the time. In the LRB, Diski recounts her friendship with the novelist.
“João Gilberto Noll frustrates attempts to foresee the plot or to craft stories as they are traditionally understood and written. The series of events that appear in them are as tenuously linked into a broader narrative as those of a dream.” An interview with Noll translator Adam Morris.
Geoff Dyer endorses Ben Lerner’s Leaving the Atocha Station , John Jeremiah Sullivan’s Pulphead –our own Bill Morris loves it too!–and a generalized aversion toward seafood in his interview with Morten Høi Jensen for Book Forum. While they ostensibly met to talk about Zona–reviewed on The Millions here–it’s perhaps unsurprising that they managed to digress so liberally: “we chatted about his review of Richard Bradford’s Martin Amis: the Biography, and by the end he was giving me advice about which David Markson book I should read first. Our interview, in other words, assumed the shape of a Geoff Dyer book.”
All Millions readers are invited to join us at McNally Jackson bookstore in New York to celebrate the release of The Late American Novel: Writers on the Future of Books. I’ll be joined by my co-editor Jeff Martin, as well as Reif Larsen and Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. It’s shaping up to be a fun night; hope to see you there!