“The literary type of burlesque also peels off layers … They are bolder and more coarsely humorous pieces that go beyond silly copies, like turbo-charged parodies. Jane Austen’s burlesques were full-on irreverent, turning a thing on its head, forcing us to peek underneath to see its naked absurdities.” On the proto-feminist snark of a young Jane Austen.
Pride and Proto-Feminisim
Grand Theft Bookstore
Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
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Smoking Knausgaard
“[E]ach video is a portrait of the artist as a beginner—and a look at the creative process, in all its joy, abjection, delusion, and euphoria.” The Paris Review has a new video series called “My First Time,” in which big-name authors talk about getting their start. Helen DeWitt, Jeffrey Eugenides, Sheila Heti, a chain-smoking Karl Ove Knausgaard – what more could anyone want? More origin stories, that’s what! Six writers – Colum McCann, Alexander Chee, Jami Attenberg, Emily St. John Mandel, Justin Taylor, and Anthony Marra – look back on their first books for us.
The Millions at the Critical Hit Awards
Hooray! Electric Literature has declared Jesse Jarnow’s Millions review of Fear of Music the winner in the category of Best Deconstruction for their occasional Critical Hit Awards.
“Albertine says she does not know.”
Recommended Reading: Anne Carson’s poem, “The Albertine Workout,” as it appears in the latest edition of the London Review of Books. The work is actually excerpted from her forthcoming New Directions pamphlet of the same name.
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First Novel Prize Longlist
The Center for Fiction has released the longlist for the First Novel Prize. The Girls by Emma Cline (see our review) and What Belongs to You by Garth Greenwell (see our review) are among the novels to make the cut.
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Steal This Record
Elvis Costello is calling the hefty price tag on his new box set “either a misprint or a satire” and advising fans to buy a Louis Armstrong box set or to wait until the discs included in his own box set are availble at a cheaper price “assuming that you have not already obtained them by more unconventional means.”
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“Total student”
To survive in the wastelands of Twitter, the promising spambot needs to craft an interesting bio. Which explains why one bot assumed the mantle of “bacon ninja.”
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