“The literary type of burlesque also peels off layers … They are bolder and more coarsely humorous pieces that go beyond silly copies, like turbo-charged parodies. Jane Austen’s burlesques were full-on irreverent, turning a thing on its head, forcing us to peek underneath to see its naked absurdities.” On the proto-feminist snark of a young Jane Austen.
My student and friend Paria Kooklan pens a guest piece at the Vroman’s Blog about the popularity of novels about Iran–and penning her own. “I mean, the American public has a short attention span – Iranians are hot right now, but I can’t help wondering when the trend is going to die out. Next year, there may well be another trendy nationality: Iraqis, maybe. Or Tibetans. Or…I don’t know – the Bhutanese? Anything is possible.”
In this week’s New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!
Owing to a successful Facebook campaign and some outcries from the Press’s authors, University of Missouri administrators have decided to reinstate the University of Missouri Press—which was recently shuttered—and “rehire” its editor in chief, Clair Wilcox. The goal now, according to the university system’s president, is to “reinvent [the press] in a more cost-effective technological model.”
Believe it or not, but the widely publicized murder case is not just a modern phenomenon. In 1761, Voltaire became obsessed with the case of Marc-Antoine Calas, a young man who was found dead in his home city of Toulouse. At The Paris Review Daily, a post on the Candide author’s impact on modern justice.
Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.