Chloe N. Clark writes about magical reveals in fiction. As she explains it, “authors, like magicians, need to know when the best moment to pull back the curtain is.” Pair with this Millions essay on using light and a full palette of color to paint fiction.
Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”
A teacher’s charming poem in which he winds the imaginative grammar and spelling of his students into a feast of clever words. (via)A cornucopia of palindromes. “Rot can rob a born actor” and many, many more. And don’t miss the Palindrome Drama at the end of the page.Stephen Schenkenberg looks at how people find his blog… “how+do+you+construct+buried+alive+escape+tunnel” ???The 13-number ISBN is the book industry’s Y2K. For more details, see my post from 2004.Ed plumbs bad Amazon reviews, a never-ending ending font of humor.
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
In light of this year’s Frankfurt Book Fair, which had Indonesia as the official guest of honor, check out Wayan Sunarta’s essay on the rise of Indonesian literature abroad. As he explains it, “Although Indonesian literature is in the ascendant at home, it has so far failed to establish itself internationally. The number of works translated from Indonesian is still very small.”