Chloe N. Clark writes about magical reveals in fiction. As she explains it, “authors, like magicians, need to know when the best moment to pull back the curtain is.” Pair with this Millions essay on using light and a full palette of color to paint fiction.
Need to know how to tell if someone is or is not dead? How to leave a party gracefully? How to avoid the plague? Luckily the writers of the Middle Ages had a how-to book for everything, even if that advice does include killing bed bugs by “Spread[ing] Gun-powder, beaten small, about the crevices of your bedstead” and then lighting it.
You probably knew a Lothario was a character before his name grew into a generic euphemism for “Guy You Don’t Want Your Daughter Dating,” but what about “brainiac,” “mentor,” and “pamphlet”? It turns out character names have been making their way into everyday vocabulary for thousands of years.
Just about every review of Virginia Zaharieva’s Nine Rabbits calls attention to its “narrative virtuosity” and the way it “packs several genres into one.” That might sound like empty praise until you check out this excerpt for yourself, and see that the book is not only a memoir, and a coming-of-age story, but it’s also a cookbook.